On Dante

A Poem by the British poet Elizabeth Jennings.


It is not possible to say how much
We owe to him, because his splendour blinds
Our eyes. Simpler it is to blame those minds
Too small to honour him, to sense his touch.

He did not fear to plumb to places where
Failure alone survives. But this was done
For our example. Only his country dared to shun

His greatness. Her ingratitude at last
Turned on herself. As proof of this, observe
How always to the perfect sorrows fall

Most painfully. To those who are the best
Most ill occurs. Dante did not deserve
Exile; his equal never lived at all.

Guide to the Dark

In Peter Hitchens' new book The Rage Against God: How Atheism Led Me to Faith, readers get a whirlwind tour of how and why Christianity broke down so quickly in England during the last century. Hitchens actually covers more than that in this small book, but along the way he outlines the how and why of the breakdown of the Christian church after WWI. The path to an atheistic culture will probably work differently in America since somewhat different cultural forces are at work, but Hitchens' book is a dark study of why it might be possible that Christianity will remain a minority faith in Europe for the foreseeable future--and that means perhaps centuries.

One thing that Hitchens all too briefly discusses is the complicity of the Church in its own demise--first by becoming merely a chaplain to secular political forces and then by becoming a sentimental, theologically woozy suitor to all worldly trends. We have seen this latter hunger to be deemed "relevant" by American churches, first in the older liberal mainline denominations and now increasingly in various Evangelical bodies. Instead of standing with the hard truths of the Faith, Christians want to be liked and to be seen as "relevant," and so they make various concordats with secular culture, the latter never responding to the pitiful suasions of Christians who just want to be liked.

Hitchens is a clean, classical writer, and his emphasis on rational discussion demands a hard look at truth. I heartily urge the reading of this book by anyone interested in the contemporary state of Christianity and culture. The English context of Hitchens' experience doesn't fit neatly with the American situation, but his analyses still illuminate much that is happening today throughout the world.

Speaking of Classical

Jay Heinrichs' book Thank You For Arguing is a nice introduction to how classical rhetoric can be repackaged for life in the 21st Century. The subtitle of the book, "What Aristotle, Lincoln, and Homer Simpson can Teach Us About the Art of Persuasion," points to the wide-ranging nature of the book. Heinrichs sometimes comes off a bit too cute here and there, but the book as a whole is a superb introduction to the power of classical rhetoric.

The book is broken up into numerous chapters, each of which explains a piece of classical rhetoric, supplying examples and summaries. It's a very useful tool either to gain an introduction to the discipline or to refresh one's familiarity with the nuts and bolts of how rhetoric can work in daily life.

Here in this season of political upheaval, it is also a good handbook on how bad some arguments can get, even while those arguments persuade people who don't know how to think through arguments.

Return of the Classical

Although it ultimately simplifies too much, it is still useful to think of the history of Western culture as a pendulem swinging between classical values and romantic values. Right now, we are in sort of a postmodern romantic mode for the most part. Television, movies, music, advertisements, even comic books generally promote a subjectivist individualism ("just listen to your heart!").

But the classical impulse never entirely disappears, even if it has not had much traction lately in the larger culture. This article on recent classical architecture is a case in point. Here and there, artists rediscover the value of classical ideals, with good results. It is possible that classical attitudes will never again become dominant, but they won't entirely die out.

A question about all this: what is the Christian response to embracing the classical vision for the postmodern world? The classical mind is not inherently Christian, but is there something in the classical mind that comports well with certain elements of the Christian faith? Christians thoughout the ages, both Catholic and Protestant, have thought so. But Christians for the most part today do not now see much value in the virtues of the classical orientation.

Dante Lectures on Youtube

Humanities departments in ivy league universities are rightly coming under attack due to their being colonized in totalitarian fashion by professors who seem only interested in promoting critical theory. However, not every professor is a far left radical whose only purpose in lecturing is the dismantling of his or her students' traditional beliefs. One can still find teachers who seem to love their subject and want nothing more than to make it accessible to students.

Take these Youtube lectures on Dante, for instance. I have not watched all of them, but the professor seems genuinely interested in Dante as an artist with things to say to us. He is not concerned with dismantling Dante simply as a dead white male who speaks in a Eurocentric voice of patriarchal oppression.

Worldview Resources

The current wave of worldview thinking among American Christians has been generated primarily by what is sometimes called the "neo-Calvinist" tradition which was given shape first by Abraham Kuyper and then later by Herman Dooyaweerd. Many, many other Christians have helped shaped the current worldview movement and many of them are not Reformed. But these two Dutchmen stand out as major thinkers in forming the current discussion, even if most people have never heard these names.

But the current books, web sites, and seminars devoted to discussion of Christian worldview thinking are primarily located within the American context. It's always good to expand one's horizon and see what Christians from other locations in the world are doing to shape a Christian culture.

These South Africans, for instance, offer some thoughts on art, culture, faith, and politics, thoughts that sometimes sound like what you would hear in America. But sometimes their literal and figurative distance from America offers some Christian ways of responding to the world that can energize our own.

Lecture on Dante

The translation of The Inferno used by fellows and faculty of the Center is by Anthony Esolen.

This lecture by Esolen on the final image of Lucifer embedded in ice (along with some other material from Purgatory) is an outstanding introduction to the central meaning of the Inferno. Esolan's style is a bit ragged, but his commentary gets one directly into the heart of the Inferno, and his lecture also gives one some insight into how to read the rest of the imagery of the Comedy.

Note: the lecture isn't actually as long as it appears. Some of the recording is taken up with questions and answers.